Art of the Negro: Parallels
- Title
- Art of the Negro: Parallels
- Date
- 1945--1952
- Creator
- Hale A. Woodruff, 1900-1980 See all items with this value
- Contributor
- Atlanta University Comission See all items with this value
- Description
- Hale Aspacio Woodruff was an artist and art educator known for his murals, paintings, and prints from Cairo, IL. "Parallels," the fourth panel in the Art of the Negro mural series, shows the innate connection between non-European indigenous cultures despite geographic divisions.
- Primary Subject
- 1900-1999 See all items with this value
- Black power See all items with this value
- Activism See all items with this value
- Art See all items with this value
- Additional Subject
- African diaspora See all items with this value
- Racial uplift See all items with this value
- Social life and customs See all items with this value
- Afrocentrism See all items with this value
- Architecture See all items with this value
- Sculpture See all items with this value
- Current Location
- 2nd Floor, Trevor Arnett Hall, Clark Atlanta University, Atlanta, GA
- Location
- Atlanta See all items with this value
- Fulton County See all items with this value
- Georgia See all items with this value
- USA See all items with this value
- Type
- Murals See all items with this value
- Medium
- Oil on canvas See all items with this value
- Measurements
- 11 ft. x 11 ft.
- Format
- JPEG
- HBCU Identifier
- 1952.015
- HCAC Identifier
- HCAC.CAU.113
- Rights
- All rights held by the Clark Atlanta University Art Museum. For permission to publish, distribute, or use this image for any other purpose, please contact Clark Atlanta University Art Museum, Clark Atlanta University, (404) 880-6102 Attn: Museum Director.
- Contributing Institution
- Clark Atlanta University
- Source
- Clark Atlanta University Art Museum
- Collection
- The Art of the Negro Mural Series See all items with this value
- Relation
-
Art of the Negro: Native Forms
-
Art of the Negro: Interchange
-
Art of the Negro: Dissipation
-
Art of the Negro: Influences
-
Art of the Negro: Muses
- Language
- English
- Notes
- Parallels (4) shows the innate connection between non-European indigenous cultures despite geographic divisions. He centers the Haida totem, Yoruba house post, and Melanesian rooftop post emphasizing the commonalities between forms, styles and functions from Africa, the Americas, Oceania, and Asia.
- About This Record
- The HCAC public history focused digital archive cataloging is an ongoing process, and we may update this record as we conduct additional research and review. We welcome your comments and feedback if you have more information to share about an item featured on the site, please contact us at: HCAC-DigiTeam@si.edu